OWH Film 2: Analog Film Look Fujifilm Recipe

Get a decent analaog look to your JPGs without painting yourself into a corner with OWH Film 2.

Øyvind Nordhagen
6 min readJul 12, 2023
The Moss-Horten Ferry Service. OWH Film 2, daylight WB. Norway June 2023.

A year ago I published a Fujifilm recipe I called OWH Film, which I still use to this day. But since then I’ve experimented a lot, learned a lot and in the end I wanted to refine that recipe. I’ve started shooting different subjects and also shot a lot more raw recently, as well as reviewing a lot of old prints. This has made me realise a few things about the way Fujifilm cameras process files. This then is the culmination of everything I’ve learned about Fujifilm and from studying analog photography.

Digital vs film reds and yellows

One thing that struck me is how much more versatile daylight film stock is in varying conditions than digital daylight white balance. When shooting daylight film at night for instance you can still get acceptable results. Although the lighting temperature is obviously warm it just looks moody, whereas on digital it just looks yellow. I boiled this down to analog film being more sensitive to reds than yellow, whereas digital sensors will typically strive for an accurate result in all conditions.

I tested my hypothesis by adding in a pronounced red cast and sure enough, it worked! What I…

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Øyvind Nordhagen
Øyvind Nordhagen

Written by Øyvind Nordhagen

Photographer based in Oslo. I write about photographic technique and editing.

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